Signing Off...

Wiki Commons:The_End.jpg

I love writing. Maybe more specifically, I love ranting. I like creative writing, developing a blogging voice, thinking about what to post about, editing posts, forgetting to proof-read posts, finding pictures to go along with my post topics, and the like.

But blogging is not writing music. Or playing music. It's a different creative outlet - one that I think I'm not half-bad at. But not one that I feel I should be spending so much time doing. I've been thinking a lot about blogging lately.

After much deliberating, and with so many things vying for my time at this point in my life, I've decided to focus my minutes more specifically on music for a while - writing and playing it.

To all of my subscribers and followers, I would like to say thank you for keeping up with my blog... I'd also like to let you know that I'm not completely done with this sort of journaling either. I'd like you all to join me on Twitter, following me there (which is here: http://twitter.com/jaymathesmusic). Yes, it's shorter bursts of words, but words none-the-less. You can also Like me on Facebook, here: http://facebook.com/jaymathesmusic. And, you can subscribe to my Jaymathes.com news posts, here: http://feeds.feedburner.com/jaymathesnews. Or, of course, I have a monthly newsletter. Sign up here: http://jaymathes.com/?page_id=33. The point is, you'll still be able to read words from me - just not here.

So please come along! Hop on a different train with me and continue reading with me...

Twitter: http://twitter.com/jaymathesmusic
Facebook: http://facebook.com/jaymathesmusic
Jaymathes.com News: http://feeds.feedburner.com/jaymathesnews
My Newsletter: http://jaymathes.com/?page_id=33

Also, I still have some unfinished blog business here, too. I do plan to finish up my top 25 albums of all time list, but I may not post that here... I'll make sure you're all able to see it, though.

So here's to a new year of opportunity ahead and 232 posts behind. Cheers!

Starting Over

Have you ever wished that life had a "do over" button?

When I was younger, I used to say, literally, "This is my life. No regrets. I am who I am today because of what happened yesterday. End of story."

Do I still believe it? That's a hard question to answer.

Yes, I'm a product of my past, so at least that much is true.

But do I regret any of my past? Maybe the answer is "It doesn't matter, even if you do."

As a famous meerkat once said, "You got to put your past behind you."

Tonight I've got the whole evening to work on writing new music. My wife has graciously let me out of the house (and agreed to watch the chiluns). But I'm tired and having a hard time getting inspired. So I'm blogging instead, for now.

I'm hoping this whole process will inspire me - and you - to remember that "life's a dance, you learn as you go..."

PS: Anybody else getting freaked out by these crazy "appeals" on Wikipedia?!?!

Do over button image: http://www.youtube.com/watch?v=KCPDB0QlqNs

Late Nights and New Videos

For the last two, consecutive nights, I have stayed up late - past my bedtime - to work on a couple of new videos to post online. The first one, the live, studio session recording of "Welcome", from my album, Fundamental, and the other, a real-time illustration (music video?) of my song "Orphans", also from Fundamental. Am I happy with the results? Absolutely. Do I wish I were sleeping right now? Yes. Do I regret it? Not yet.

Please take just a few minutes to head on over to my YouTube channel to check out the new videos. And, comment on them and share them with your friends, please:

http://youtube.com/jaymathesmusic

Just FYI, only the "Welcome" video is currently available (as in, today, 10/5, at 2:25 AM). YouTube is doing some system maintenance and the "Orphans" video won't go live until some time mid morning.

Thanks!

-Jay

Thoughts on Reason 6 - Upgrades and Pricing

Just two days ago, Propellerhead Software released a new version of my *favorite* music creation software: Reason. The new version, 6, combines all of the features from two, different programs of theirs. Basically, all I'd like you to know is that this new version kicks serious butt, adds some new features, and is still my program of choice when it comes to generating ideas for new songs in a computer recording "environment" (as they say).  I've been running Reason v.4 since around Christmas time of 2009, and my last upgrade before that was version 2.5 - way back in 2004. The software has certainly come a long way, and, dare I say it, if the company can "fix" some of their lack of keyboard shortcuts, Reason just might replace Logic Pro as my multi-tracking (IE: recording) program of choice.

So, a few thoughts on Propellerhead's Reason 6 pay what you want deal (oh wait. you didn't hear about that?!?!):

1. It saves Propheads money. They won't have to manufacture as many DVD's/Boxes for Reason 6.
2. You do have to own either Reason 4 or 5 in order to do it, so they are expecting users to upgrade - to something - and make it all the way up to Reason version 6, making up for some of the money from consumers "underpaying".
3. It's only for one month. This builds buzz and hopefully generates a ton of sales in the first month, helping the companies balance sheet (a business term basically meaning that they'll have cash on hand to carry on business).
4. Most people aren't going to pay what they want - they'll most likely pay what they can afford. I wish I could afford the "regular" upgrade price, but I just can't right now. Consider: starving artist.

This last factor was really the big motivator for me. A regular Reason upgrade - in a box - is $129. Of that, you've got to figure that $20-30 of it goes in to production and shipping to local music stores. The company then has $100 left with which to develop the product, pay their people, etc. When you think about it, that's not much for a world-class leader in recording software. Apple's Logic Studio is $500. Logic upgrades are usually $300.

A secondary motivator for me was considering how much money the music I have created using Reason has generated for me. I'm a professional performing songwriter, after all, and I looked at this picture considering Propellerhead a partner in the music I create and sell. If I made a lot, I think I'd be willing - and able - to pay a lot. Considering where I'm at right now, I hope to be able to pay Propellerhead back for taking a bit of a hit this time around, and when I'm generating a little more cash from my music, I can make up the difference - between what I paid and what I think the software is really worth - when the next version comes out.

This does beg the question: what about hobbyists or people using Reason for fun? First, there probably aren't many of you out there. And for those of you who are, I think you should consider a different model for determining how much Reason 6 is worth: consider what upgrades have been in the past, consider what upgrades of similar products (IE: other DAW's) cost, and consider how many songs you write using the software. Maybe something like, "For an upgrade, I'd be willing to pay $5 for every song I expect to write/compose using Reason 6", using your past usage as an indicator.

Yes, It's 3:30 AM, but the New Site is Up!

My life always seems to work this way. I get an idea. I run with it. I don't stop. Three days ago, I started work on a complete redesign of jaymathes.com. I knew the day was coming when I'd need to make that happen, but I didn't expect it to happen this week.

I'm not going to restate why I did the new design. You can read out that on the first news post of the site. (Never fear, I will continue to keep this blog up. This blog is where I get to rant. Over there, I keep things more business-like, you might say.) What I will say, though, is that I feel much better now that it's "done" (I have a few things yet to touch up, but they're all very minor.)

I like the idea of starting something, going all in with it, completing it, then moving on to the next task. It's refreshing. I hope you enjoy the new site as much as I do. I feel like I've accomplished something.

View from Horseshoe

This past Sunday night, I took the stage at Horseshoe BBQ on Lincoln Ave. in Chicago. It was a fun night - not a stupendous night, but a good night. It was my first show as a father of two. I had a mild headache. I was running on about 10 hours of sleep over three days. Beautiful. (in a weird sort of way.)

I want to say a quick thanks to Rena Newman for inviting Chris Zonada and me to perform, and I want to thank Mike at Horseshoe BBQ for paying us - for supporting live, original music in Chicago. His commitment is rare this city I call home. Thank you. Speaking on behalf of all other Chicago songwriters, we hope that we can pay you back - some day.

Blurb from My Latest Newsletter

I don't do this - ever, but I thought it would be good for you all to hear, if you haven't already read it in my latest newsletter... This is a cut and paste from the email I sent out to my music mailing list just a couple days ago, on August 26, 2011 (by the way, if you're not already on it, please sign up for my mailing list at http://jaymathes.com, filling out the mailing list form on the right side of the page, towards the top):

WHERE I'VE BEEN, WHERE I'M GOING

In just a few, short weeks, I will be the father of two, beautiful children. Having kids makes you think, and, paradoxically, gives you less time. Maybe what really happens is you just think better with what little time you have to think.

I've put in a lot of time - and money - into my music over the years. (I just realized that this past February marked the 10-year anniversary of the release of my album, Leave it All Behind.) Don't worry. This isn't a break-up letter.

I'm not losing steam - just trying to evaluate things. What I can say is that I'm even more inspired today by life than I ever have been. I can't help but write and perform. And I'm also even more excited by what I call a genuine musical experience. What I long to see in other recording artists - and what I long to show to you - is a picture of who the artist really is - not some projected image - some amalgamation of marketing tactics and strategies.

In an effort to better show you who I am, I'm going to continue doing what I do: writing music that comes from my heart, my experiences, and reflects who I am and how I feel. I might blog less. I might tweet more. I might be on Facebook less. I will write more music. I will post that music online. I will beg and ask for your support of that music.

Music keeps me going. If I lost my hearing, I'd self-combust.

Thanks for your support, and come on out on 9/4 if you can!

-Jay

Now Serving BMI Artists...

I just received an email today from my performing rights organization (PRO), BMI Inc., that they just signed a deal with Spotify that pays BMI artists for music streamed from the Spotify application. Awesome. So feel free to stream away those Jay Mathes tunes in Spotify, knowing that I'm actually getting paid when you do!

CAU Performance Rescheduled

Hey, folks.

I spoke to Michael Teach of Chicago Acoustic Underground last night, and we were *finally* able to reschedule my live performance taping for the CAU podcast. I'm not sure yet when the show will air, but the recording will be on Monday, July 11th, at 2 PM, at the CAU studio on Armitage Ave.

Awesome.

Details forthcoming.

A Song is Not a Cookie

I distinctly remember reading a book for a marketing class in college that referenced the start-up of some, well-known cookie manufacturer of today. That cookie company was started by one dude giving away cookies on public transit buses in whichever city he lived at that time. I could have sworn he did it in the city of Chicago. I've searched, but alas, cannot identify the company. Maybe it was all a dream... I'll try to remember to dig out a couple of books and search for the company the old-fashioned way - by browsing my book collection.

But here's the deal: a song is not a cookie.

When a dude wants to start a cookie company, he just might become successful by giving away his cookies for a month straight, and, assuming his cookies are fantastic, he might gather a long line of customers who seek to eat another one of those fantastic cookies - and pay for it - after that time.

With artists, songwriters, record labels, and anybody else who relies on *recordings* for their income, you can't, ultimately, just give them away for free. Why? Because once someone "tastes" (IE: downloads) your sound recording, the person never has to come back to you to get that same flavor - he already has it in his iTunes library. You've just given away your number one commodity, and users can re-create that listening experience without you now.

I haven't decided exactly what this epiphany means for me, my music, and the music Swiftly Running Records represents, but you bet I'm thinking about it - alot.

If you think you've got a few good ideas to explain what I'm talking about, or if you've got other ideas about how to make sound recordings work for artists, please let me know. Or maybe I'm way off base...

Music Licensing Opportunities

Over the last few weeks, I've been exploring new ways to generate some cash from the music that I write and record. The good news? There are a lot of ways to generate the money, as I have found. The bad news? It seems like every other artist has discovered the same thing that I have. I've found a bunch of websites that claim to "specialize" in what is called song placement or music licensing - places called "pitching houses" (basically just a new name for a music publisher). The problem is that I'm having trouble navigating this over-crowded sea of music speculators.

For lack of a better comparison - actually, no, I think it's a perfect comparison - the digital music licensing world looks *exactly* like the California gold rush days: everybody is vying for the same territory, the "mining" technology (a content delivery system) is readily available to almost all artists, and the value of the commodity (good, quality music) is fluctuating based on its availability.

So what does this mean for my music and the music that Swiftly Running Records represents? It means that now, more than ever before, I have to rely on personal contacts to exploit song placement opportunities. And the best way to continue to establish those relationships is to be where those decision-makers are - to live where the music supervisors live, eat where they eat, attend the events they attend, invite them over for dinner, take them out for coffee. I know a heck of a lot of them live in L.A., a few in Nashville (I think), and maybe some in NYC(?). But I'm not so sure I'm willing to relocate just so that I can pitch my songs. (Maybe I can get somebody else to do it[?].)

I want to play. I want to perform the music I write. I want to be on stage. I'm just looking for a way to make enough money to keep doing what I love.

Instrumental Record?

I've been doing a lot of thinking lately. Always a bad sign. Why? Because it means that you're not happy, I think. I have a lot of "unfinished" songs sitting in a drawer right now, and I was thinking about the best way to finish the songs. I listened to some of the sketch recordings I made and I came to a conclusion: one way to finish all of these songs is to keep them instrumental. They range the gamut, stylistically, and not all of them even need words to stand - the melodies and instrumentation can hold themselves up as is. So I just might do that. It would be yet another non-Jay Mathes "project" that I'm a part of, but it might be worthwhile, especially considering it might give me more material to pitch to advertisers, TV, movies, and video games. Just a thought. I'll keep you posted.

More Press for Fundamental!

Just a couple of weeks ago, the Wheaton Leader Newspaper printed an awesome article about my latest record. Check it out HERE. Booyah.

A Human Struggle for Recognition

This morning, I had a little bit of time to think about why people blog. It was on my mind because I actually took some time today to read the blogs of a couple of good friends of mine. We don't read our friends' blogs (usually) because we already know what's going on in their lives, how they feel about things, and how they're continuing down this strange path of existence we call life.

The bottom line? We all struggle with a lot of different things, but there are common ones, too. Though there are obviously many reasons, I think blogging is motivated primarily by a desire to be recognized as a person, separate from everyone else. It's a desire to find meaning behind why we're alive; because if we're all pretty much the same, we all live, we all die, we're simply a part of the lineage of the human race, then what's really the point?

Humans don't just want to exist. They want to matter.

I don't think that I blog because I'm searching for answers so much myself, but that I kind of hope that I can help other people cope with that struggle - that desire - and can move them in the direction of discovery for themselves...

My new album, Fundamental, really is the closest I've come so far to expressing this and other struggles common to the human experience in my music. If you haven't yet, you should check it out, here:

http://jaymathes.com/music/fundamental

To some of you, I know I still owe you copies of the album. I'll try to make that happen this week. Sorry for the delay!

Picture: http://commons.wikimedia.org/wiki/File:V-J_Day_Times_Square_NYWTS.jpg

First Video from Record Release Show Now on YouTube!

Just this evening, I posted the first video from my record release concert last month. Yeah, this video stuff takes a long time to edit. The first song of the first set was "Broken Well". Take a look (and listen) on my YouTube channel: http://youtube.com/jaymathesmusic. And here's a direct link to the video page: http://www.youtube.com/watch?v=BFAJMaCtny0.

Also, my buddy, Nick, who shot all of the video in the studio for the documentary about the making of Fundamental posted some of the raw video on his channel. Here's a link to the raw video (and audio) of the studio recording of "Broken Well": http://www.youtube.com/watch?v=xLafZL7e5SM

Cheers! (and enjoy)

-Jay

The Notebook, 2012, and a Goal

Let me start off by saying that I've totally blown a few of my new year resolutions. One of those was to write - music or lyrics - every day. Hasn't happened. I've just lost the routine and now I am on a quest to find it again... Here, routinie, routinie, routinie... come here, boy. Wheredja go?....

Next, during the blizzard of 2011, Megan and I watched the movie 2012. Awful. I like Mr. Cusack, but this was bad. Two hours I can't get back.

Finally, in addition to trying to get back on the horse called Resolution, I have a crazy goal of having one article printed in a newspaper, ezine, or other medium every-other week for the next 12 weeks. So far, so good. Here's what we've had so far:

10 Jan 2011 - Chicago Sun-Times

18 Jan 2011 - Daily Herald

28 Jan 2011 - COD Courier

And next week (Wednesday), I'll have a pretty big spread in the Lombardian.

After that, I'm not sure where the next coverage will come from, but I'm optimistic that I can keep this streak going!

Talk to you soon, and look for me in your local paper!

-Jay

Long Saturday

I finally feel mostly recovered from this past Saturday. From 9 AM until 5 PM, I was recording with The City and Restoration Project at the Dragon Room. Then, at 6:30 PM, I packed up my gear for a performance in Elmhurst, IL, at Cuvee Cellars. I arrived back home at 11:45 PM. Long day? I'll say so.

Saturday was a super-productive session, recording cello for two songs, for two different records coming out in the next four months. "Jump" is a song that I wrote, and The City decided to record a down-tempo version of the song - quite obviously different from the version found on my new solo album, "Fundamental." The other song, "O Love Divine" will be on ResProj's upcoming April release. Thank you so much, Jason Young, for your hard work on these parts. You were great!

Thank You, Thank You, Thank You!

Thanks to everyone who came out to my record release show just this past Friday night. We packed the place and rocked the house. If you didn't have a chance to make it up to the merch table, you can still purchase Fundamental online, from my web store. You can get the regular CD, the Limited Edition, hand-printed CD, or the digital download.

A couple of hours before the concert, I was extremely nervous about how the performance would come off. I definitely felt tense as I performed my first song. I was told, though, that none of that came across. So the night went off without a hitch [mostly], and I was happy to see that I can still draw a crowd in my home town. What's more, I actually have friends who are willing to support my music by coming out to see me play.

A fairly recent goal of mine has been to regularly draw crowds of 100+ in DuPage County, and I think I'm moving in that direction - with your help. Please continue to demonstrate your support for what I do by coming out to concerts and buying my records.

Thank you for keeping this dream alive.

Photo by: Ashley Hodges // ashleyhodgesphotography.com

Reeling, The Fizz Bubbles Over

I just spent the last 15 minutes listening to the recorded audio from tonight's record release concert. Wow. I'm tired. Exhausted. My mind is reeling. I am thankful.

Thank you, everyone, who made tonight a special night for me. Had the room been empty, I confess, I would have been more likely than ever to find another line of work. But as it stands, this night has spared me from that fate - this night. Tomorrow is a new day and yet there is hope.

To those of you who made it out to the concert: you give me great joy. It means that you have considered my music worth a listen. You have validated my work as a songwriter.

This was an interesting night. A bittersweet night. Tonight I also saw that I am physically incapable of exceeding my own expectations in so many ways - but particularly as it relates to being an excellent father, husband, and performing songwriter, all at once. I need grace.

Before this evening, I described the feeling I had as of a soda pop, closed, but shaken - a lot. I had a lot riding on tonight's show - for better or worse. And the last four months have mostly culminated in tonight's performance. I had a fear of what would come after...

It's after now, and I can say that I'm just plain tired. The fizz in the bottle is gone, and what's left is a man ready for bed. Goodnight, and thank you.

Live Show Almost Ready

Those of you who have seen me perform live over the last six months know that I've been working on perfecting some crazy live show stuff. I'm almost there. And I think I'll be ready by the record release concert this Friday night. Yes, in two days. Guitar. Voice. Keyboard. GiO. iMac.