...On Moonlighting

Tonight, I'm moonlighting. Y'all know what that is, right? Here's how I like to describe it:

Moonlighting is doing what you love after those whom you love are fast asleep.

(Follow me on Twitter for more profound one-liners such as this :) ---> HERE.

Moonlighting is honestly one of the hardest ways I can think of to sustain or develop a career or business. Bravo to everyone who is in it, into it, does it, and works hard at the work he or she really, really wants. You rock.

I, on the other hand, struggle to find balance, often caving into the desire (or need) for rest, relaxation, or recreation.

Tonight is my first time moonlighting in nearly seven months. I hope it will be the first of many more nights like this to come in the coming weeks and months—but not too many. Because I'd rather be doing this as a full-time gig during the day. Yes, I can dream, can't I?

What I'm working on: A soundtrack and narration of The Big Picture Story Bible by David Helm, illustrated by Gail Schoonmaker.

To Upgrade or Not to Upgrade? That is the Question

Reason 7's Rack Effects and Virtual Instrument Modules

I use Logic Pro for almost all of my recording. I like the interface way more that Pro Tools, and I know all of the key commands, and I love the virtual instruments and plug-ins. I'm currently running Logic Pro 9.1.8, which is, most likely, one of the very last updates to their version 9 software. A while back, I raised a stink about certain features not being in Logic Pro, the lack of updates, and how Propellerhead's Reason software was constantly being improved, where Apple's Logic seemed to be stuck inside a major corporation unwilling to innovate for their pro audio users. Enter Logic Pro X. Finally, an update. A big one. But is it worth it?

When Reason 7 came out, I vowed to leave Logic Pro behind, but that hasn't panned out—at least not yet. I was in the middle of several really big projects (and still am) and had started them in Logic, so it's difficult to migrate them over—especially to Reason. It's just such a different kind of animal. Much more analog-like, and definitely in the baby stages of development when it comes to key commands and back end features. Of course, Propheads would say they've stripped out the junk that is rarely used and left what is musically useful.

Also know that I exclusively use Reason 7 to create electronic music for Argo the Ship, and I love it for that platform.

But I'm thinking about testing out Logic Pro X to see if the updates are useful enough to make the switch up to version 10. Why? Probably because I'm familiar with Logic and by sticking with it, I don't have to waste precious minutes learning a new interface. I can spend more time creating instead of fiddling, figuratively speaking. Pro Tools is out. It's down to Reason 7 and Logic X, both of which I know, use regularly, and love.

Taking the plunge with a trial in mid-November...

Life After Kickstarter

This past Saturday (well, very early Sunday, actually), I completed my very first Kickstarter campaign. And, I am happy to say that our project was successfully funded! One of the "bands" I'm heavily involved in, Restoration Project, needed to raise funds–$10,000, actually–to cover recording and production costs for a new EP series. Firm Foundation will be a collection of remade Sunday School songs, featuring familiar melodies but with additional lyrics and new music. We are so, so happy with how our campaign did, and we'd consider it a success on every level.

Last plug before I get to the meat of this post: Even if you missed our Kickstarter campaign, you can still pre-order our Firm Foundation series in the resproj.com web store. The first EP drops in November; the second in summer 2014.

So what's it like to complete a successful Kickstarter campaign?

Three things come to mind when I think about our work and what it means:

1. It's Just Beginning. Maybe you'd think that there would be a respite for project creators after a successful campaign; but the truth is, instead of getting easier, the work gets harder. I expect the next 60 days to include a plethora of sleepless nights as I work to complete these recordings well before Christmas.

2. Obligation. I have to tell you, I was blind-sided by this: the feeling of obligation I have towards all those who have pledged towards our campaign. I don't want to let anybody down. I want these to be great recordings, great songs, and I want to finish them on a really, really tight time table. I want these songs to be as good as I seem to make them out to be.

3. Gratitude. So many people gave so generously. I am grateful to them, and I am grateful to God for placing his hand over our campaign and bringing in the necessary funding. It makes me hopeful for the future, too, that we could, potentially, successfully do this again in a year. On that, we'll see...

Thank you all for your continuous support of my music. I do hope these new recordings will make you proud to be a part of this work.

Donate Now! Restoration Project Kickstarter Campaign

I'm in a songwriting collective. We write, record, and sing new and old hymns. We're called Restoration Project. Less than 48 hours ago, we launched a Kickstarter campaign to raise money to record and produce our next EP series. You should donate. Here's the link to our project:

http://kck.st/13SvBmM

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Thoughts on Kickstarter, My New Campaign, Etc.

I love the idea of Kickstarter. I also hate being a late adopter. Which is part of the reason why you haven't seen a "campaign" from me yet...

But the biggest reason, actually, why I haven't done a campaign is that I am afraid of not getting my project fully funded. And that would mean not getting any money at all to use for the next record - even if the project made it to 95%.

The thing is, I have been motivated out of a fear of a lack of support from my closest friends and family and those of you who love the music I write. And for that I am sorry. Please forgive me.

Beginning September 15th, you all will have an opportunity to support me in a new and unique way. By supporting me and the next record financially, you'll be essentially acting as an old-school benefactor or patron. This sort of an idea to support the arts is not new. It's been around for centuries. Mozart, Wagner, Liszt, Beethoven. Everybody has had them. The patron system is how music got made.

And, in some circles, this sort of financial giving to support the work of others is not just common, but almost expected. Think: christian missionaries. Do I consider myself to be a missionary of sorts? Absolutely. A missionary of music with a message that can hopefully, in some way, make some sense out of this world that we live in.

Today, we're seeing a *huge* arts resurgence - especially with music - where artists are reaching out to their fans to support them. It's huge right now, and it should be. AND, it should continue to be.

I want you to support my music financially. Yes, with money.

And what can I give you in return? Music. And myself. And my deepest thanks. For helping me do what I believe I am meant to do: make music for you.

In just a few, short weeks, I'll be posting all of the details for how you can support me in the coming year. Thank you, thank you for your support.

CAU Performance Rescheduled

Hey, folks.

I spoke to Michael Teach of Chicago Acoustic Underground last night, and we were *finally* able to reschedule my live performance taping for the CAU podcast. I'm not sure yet when the show will air, but the recording will be on Monday, July 11th, at 2 PM, at the CAU studio on Armitage Ave.

Awesome.

Details forthcoming.

Long Saturday

I finally feel mostly recovered from this past Saturday. From 9 AM until 5 PM, I was recording with The City and Restoration Project at the Dragon Room. Then, at 6:30 PM, I packed up my gear for a performance in Elmhurst, IL, at Cuvee Cellars. I arrived back home at 11:45 PM. Long day? I'll say so.

Saturday was a super-productive session, recording cello for two songs, for two different records coming out in the next four months. "Jump" is a song that I wrote, and The City decided to record a down-tempo version of the song - quite obviously different from the version found on my new solo album, "Fundamental." The other song, "O Love Divine" will be on ResProj's upcoming April release. Thank you so much, Jason Young, for your hard work on these parts. You were great!

Thank You, Thank You, Thank You!

Thanks to everyone who came out to my record release show just this past Friday night. We packed the place and rocked the house. If you didn't have a chance to make it up to the merch table, you can still purchase Fundamental online, from my web store. You can get the regular CD, the Limited Edition, hand-printed CD, or the digital download.

A couple of hours before the concert, I was extremely nervous about how the performance would come off. I definitely felt tense as I performed my first song. I was told, though, that none of that came across. So the night went off without a hitch [mostly], and I was happy to see that I can still draw a crowd in my home town. What's more, I actually have friends who are willing to support my music by coming out to see me play.

A fairly recent goal of mine has been to regularly draw crowds of 100+ in DuPage County, and I think I'm moving in that direction - with your help. Please continue to demonstrate your support for what I do by coming out to concerts and buying my records.

Thank you for keeping this dream alive.

Photo by: Ashley Hodges // ashleyhodgesphotography.com

Rihanna's "Umbrella" Uses Garageband Loop

Old news, but new to me. I just found this out today.

Rihanna's song, "Umbrella" - yeah, you know it's a hit with many a fella, ella, ella, eh - uses a *free*, Apple-made loop named "Vintage Funk Kit 03", included in Apple's Garageband software. Even Wikipedia says so.

So I guess nobody has to feel bad about using the stock loops that come with these types of software programs any more.

One Reason Why I Love the Guitar

Yesterday I spent about 45 minutes working on a song I never finished from 2007. Well, back then, I thought the song was done, but when I played through it again yesterday, I knew it was incomplete. What struck me the most was this new outro section that I wrote: simple acoustic guitar, slowly building with drums, steady, rhythmic, then in comes a chorus, singing in unison, music fades out, voices stay strong, then slowly fade. (Photo at left by: Ashley Hodges.)

But again, what got me was the guitar part. The guitar is the most honest instrument in the world. When played skillfully - and usually on an acoustic, no sonic reverberation can say as much as the guitar can in so few notes. Just one chord - or one note - played just the right way, can convey precise emotions which are not nearly as easy to express with words.

I'll try to record the part and post it here sometime for you all to hear just exactly what I'm talking about.