Review: John Mayer's Paradise Valley

People have been hating on Mayer in recent months. Including me. But let's take a step back and think about what we are really doing when we criticize his work: we are assessing it based on what he has already released and what we've come to expect and like—a poppy, rock sound with good hooks, but most importantly, solid lyrics from the heart. Nothing too witty, just true.

Musically, Paradise Valley must be judged on its own merit. It's different—as different as Born and Raised. Stylistically, I'd call it easy listening. Closer to Rod Stewart than Ed Sheeran. It's not my first choice in style, but I could see myself chilling to this record, if the mood warranted it.

Lyrically, on first listen, I dare day this is a return to the thoughtful Mayer we all once loved. No repeating a single phrase for an entire chorus. He sounds genuine again. Not over-worked and striving to please.

When I listen to this, and John's last album, I can't help but think of the song Stop This Train and how it was really a foretelling of his emerging sound.

I suspect I'll be streaming this album a lot when it drops. Thank you, Mr. Mayer, for coming back to us, even if your label's marketing department failed you on designing your album cover.

Stream Paradise Valley for free this week on iTunes:

http://new.itunes.com/r?v=2&la=en&lc=us&a=B%2BqtFMGnLLahoTQO4d%2B8aGOR%2B0mdfzql2CR1noc6w8L6yqSaWtzelvYOrQuN5QCC&ct=AX4h9O3

New Music Review: Phoenix's Bankrupt!

You've gotta know something.

This week, I'm really diggin' Phoenix's new album, Bankrupt!

And who ever said that nothing good comes from France anymore? Well thanks to this group, you can't say their music isn't any good. Next observation: these Frenchman sing in English. Again, what kind of French dudes are these? Well, I'll tell you: darn cool ones.

Their new album is exploding with synths.  The vocals and harmonizations remind me a lot of psychedelic Beatles era stuff, and the synths bring me back to early 90's pop. Catchy, in-your-face. Michael Jackson-esque, at times.

But strap yourself in because this album is *loud*. Probably too loud. Wait... I'm listening to "S.O.S" right now... This album is definitely too loud. Yeah, ear fatigue, as they call it. Check it out. But be warned: it's best played quietly, cuz this stuff will smash your brains in from both ears.

Take a deep breath when track six comes (Bankrupt!). It's a much-needed ear break. And sounds pretty dang cool, too. It also helps that one of these guys knows music theory.

Here's a link to the album on iTunes:

https://itunes.apple.com/us/album/bankrupt!-deluxe/id602320012

New Music... Thursday? Pick of the Week

I can't believe it's Thursday! Yeah, a week and a day since my *last* music post (which was already a day after the Tuesday's new releases dropped).

I've only had a chance this week to listen to a small number of new releases. When you consider each new album probably has a 45 minute-plus runtime, it's easy to see the difficulty of the task. This is why newspapers and magazines have full-time staff members dedicated exclusively to reviewing new albums.

So this week, I'd like to draw your attention to the latest album from one of my favorite artists today: Josh Ritter. His new album is entitled The Beast in its Tracks and you can...

Get it on iTunes here:

https://itunes.apple.com/us/album/the-beast-in-its-tracks/id579109979

Or consider buying the exclusive B&N edition with a special lyrics journal insert:

http://www.barnesandnoble.com/w/beast-in-its-tracks-josh-ritter/25668859?ean=92145170304&isbn=92145170304

Track one is classic Ritter: "night" is in the lyrics and the vocals are doused in reverb. But 55 seconds later, we really get cooking. It's obvious from the start that Josh has heartbreak on his mind, but it's not the kind of turn-off that we've come to know in break-up songs.

As a whole, lyrically, the album comes off in a similar way as Andrew Osenga's Leonard, the Lonely Astronaut (although each artist approaches their subject from different vantage points and ultimately draw different conclusions). Both Ritter and Osenga leave listeners - me - longing to recapture a relational emotion or state of being that has long since begun to wane.

I hate when songwriters are marketed as "thought-provoking" or "honest" or any other cliche about possessing a higher level of poetic- or song-craft. Though they tend to be true, these cliches dumb down the really good songwriters into some sort of quantifiable, understandable category. As a songwriter myself, I don't find the adjectives helpful because they tend not to be unique to music.

But Josh Ritter comes off to me as human - and relatable. Reading his own history makes it easy to see why his songs resonate this way with me and many others. He's a pretty normal guy from... Idaho?

So go check out his new record, and if you find yourself listening to the lyrics more than your average Bruno Mars pop song, consider checking out his other records, too. I don't think you'll be disappointed.

Signing Off...

Wiki Commons:The_End.jpg

I love writing. Maybe more specifically, I love ranting. I like creative writing, developing a blogging voice, thinking about what to post about, editing posts, forgetting to proof-read posts, finding pictures to go along with my post topics, and the like.

But blogging is not writing music. Or playing music. It's a different creative outlet - one that I think I'm not half-bad at. But not one that I feel I should be spending so much time doing. I've been thinking a lot about blogging lately.

After much deliberating, and with so many things vying for my time at this point in my life, I've decided to focus my minutes more specifically on music for a while - writing and playing it.

To all of my subscribers and followers, I would like to say thank you for keeping up with my blog... I'd also like to let you know that I'm not completely done with this sort of journaling either. I'd like you all to join me on Twitter, following me there (which is here: http://twitter.com/jaymathesmusic). Yes, it's shorter bursts of words, but words none-the-less. You can also Like me on Facebook, here: http://facebook.com/jaymathesmusic. And, you can subscribe to my Jaymathes.com news posts, here: http://feeds.feedburner.com/jaymathesnews. Or, of course, I have a monthly newsletter. Sign up here: http://jaymathes.com/?page_id=33. The point is, you'll still be able to read words from me - just not here.

So please come along! Hop on a different train with me and continue reading with me...

Twitter: http://twitter.com/jaymathesmusic
Facebook: http://facebook.com/jaymathesmusic
Jaymathes.com News: http://feeds.feedburner.com/jaymathesnews
My Newsletter: http://jaymathes.com/?page_id=33

Also, I still have some unfinished blog business here, too. I do plan to finish up my top 25 albums of all time list, but I may not post that here... I'll make sure you're all able to see it, though.

So here's to a new year of opportunity ahead and 232 posts behind. Cheers!

What All Great Music Does

Life is never what we expect.

Curve balls are thrown. Your dad gets cancer. You don't end up with the career you always envisioned. Your almost 30 and still single. You feel pressured to achieve the unachievable - the unidentifiably unachievable.

This is what life is.

Life is messy. Life is full of disappointments. Life is imperfect. Broken. Difficult. Desperate.

But great music can help.

There is one thing that all great songs have in common: they fill us with a sense of longing for a perfect, eternal future. They remind us that a glorious future is possible. They even contain within them a glimmer of that reality, and for a few, brief moments, we can be there. In that moment. At peace.

Music helps me to continue living.

I've been thinking about this a lot lately: what does it mean to be human? I think it means exactly what I've already described about the human experience: you feel disappointment and long for unattainable fulfillment. Or is it unattainable?

Many of my friends call me spiritual. Few call me religious.

I'd say if ever there were a need to believe in God it would be because we humans know that this unquenchable longing can not be satisfied by what we do, have, or accomplish. History has shown us that our deepest human desires can't be fulfilled by our own achievement. Time and again people "at the top" are the hardest to fall. They seemingly have everything and yet, they lose it all - and eventually, die like the rest of us. Have your actions, relationships, or possessions brought you perfect fulfillment yet? I'm guessing not.

We have to believe God exists. Without Him, we are utterly without hope of having our longings fulfilled. We already know we can't make it happen ourselves.

And I'd say that if ever there were a reason to believe that God can actually do it - can actually placate my (and your!) frenzied hunger - its because when I listen to great music - in that oh so small, fleeting moment, that's exactly what actually happens. I feel redeemed.

God exists because an unquenchable longing exists in our hearts that can't be satisfied by human activity - and we have to believe that this longing can be satisfied by something out of this world. And God is in fact able to do it because he gives us pieces of that satiety through music.

Do I think there's more to the story? Oh yeah. By grace, I'm trying to learn more of it every day.

Late Nights and New Videos

For the last two, consecutive nights, I have stayed up late - past my bedtime - to work on a couple of new videos to post online. The first one, the live, studio session recording of "Welcome", from my album, Fundamental, and the other, a real-time illustration (music video?) of my song "Orphans", also from Fundamental. Am I happy with the results? Absolutely. Do I wish I were sleeping right now? Yes. Do I regret it? Not yet.

Please take just a few minutes to head on over to my YouTube channel to check out the new videos. And, comment on them and share them with your friends, please:

http://youtube.com/jaymathesmusic

Just FYI, only the "Welcome" video is currently available (as in, today, 10/5, at 2:25 AM). YouTube is doing some system maintenance and the "Orphans" video won't go live until some time mid morning.

Thanks!

-Jay

Thoughts on Google Music Beta: Magnifier

I've only spent a few minutes on Music Beta - and only about 10 minutes listening to music from Magnifier. If you're unfamiliar with either or both services, check 'em out here:

Music Beta: http://music.google.com/about
Magnifier: http://magnifier.blogspot.com

Basically, my thoughts are simple:

First of all, Music Beta successfully ruined my first listen of Rachael Yamagata's song River by blipping the crap out of it. I have 24 mbps download-streaming internet service, so I'm guessing the real streaming problem of this very delicate tune was on the content delivery side - not on mine. Seriously. Ouch.

But here's what I find to be the real problem:

Google says, "Add new and exclusive tracks to Music Beta for free" and in their promotional literature, they repeatedly say Music Beta is "your music library" and "your personal music library"....  I find that hard to believe - and as far as I can see, I'm right.  Here's why:

Yes, only *you* have access to the songs. Yes *you* can organize them into playlists - just like in iTunes. BUT - and here's the kicker: your songs are stuck in cyberspace and you can't download them on to your computer - even if they are in *your personal music library* that is called Music Beta.

Maybe I'm missing something here, but it looks like even when you make content available offline on your Android device (is it available for iPhone?) you CAN'T play songs OUTSIDE of the Music Beta app - meaning: they aren't YOUR songs - they're stuck in MB. Unless I'm missing something, there definitely is NOT a feature to download songs to your computer or make content available offline on your computer.

So I argue here that the feature to "add free songs to your library with Magnifier" is totally and completely dumb. They in no way become MY songs.

At least Spotify doesn't try to tell users they OWN songs that they merely from within their program.

View from Horseshoe

This past Sunday night, I took the stage at Horseshoe BBQ on Lincoln Ave. in Chicago. It was a fun night - not a stupendous night, but a good night. It was my first show as a father of two. I had a mild headache. I was running on about 10 hours of sleep over three days. Beautiful. (in a weird sort of way.)

I want to say a quick thanks to Rena Newman for inviting Chris Zonada and me to perform, and I want to thank Mike at Horseshoe BBQ for paying us - for supporting live, original music in Chicago. His commitment is rare this city I call home. Thank you. Speaking on behalf of all other Chicago songwriters, we hope that we can pay you back - some day.

Now Serving BMI Artists...

I just received an email today from my performing rights organization (PRO), BMI Inc., that they just signed a deal with Spotify that pays BMI artists for music streamed from the Spotify application. Awesome. So feel free to stream away those Jay Mathes tunes in Spotify, knowing that I'm actually getting paid when you do!

Thoughts on the John Mayer Q and A at Berklee

If you're a songwriter and you haven't read this yet, check it out:

http://www.berklee-blogs.com/2011/07/john-mayer-2011-clinic-manage-the-temptation-to-publish-yourself/

It seems as though Mr. Mayer has gotten a hold of himself and regained some serious perspective on life, music, and success. I've always had respect for the man's music and guitar playing, but he hit a serious low last year with his quest for the Joshua Tree of... Just look up his Rolling Stone interview if you have no idea what I'm talking about. Actually, one more thing about his music: using the word "respect" to describe how I feel about his music would be an understatement. I would say he's one of my top 10 favorite artists of all time, actually. I wish that artists more often lived how their music sounded. Is it too much to expect the writers of extraordinary music to live extraordinarily virtuous lives?

Maybe not.

But this time around, I think Mayer has reformed some of his previous errors.

The biggest take-aways from this short interview/article are Mayer's comments on social media. Mayer admits that this crap is addicting, distracting, and creatively worthless.

I've heard one artist, when asked "How did you get to where you are today?" say, "I just turned off the T.V." What he was getting at is that media is a distraction and, ultimately, it is a progress killer.

Does anybody find it ironic that I'm blogging about this topic?

A Song is Not a Cookie

I distinctly remember reading a book for a marketing class in college that referenced the start-up of some, well-known cookie manufacturer of today. That cookie company was started by one dude giving away cookies on public transit buses in whichever city he lived at that time. I could have sworn he did it in the city of Chicago. I've searched, but alas, cannot identify the company. Maybe it was all a dream... I'll try to remember to dig out a couple of books and search for the company the old-fashioned way - by browsing my book collection.

But here's the deal: a song is not a cookie.

When a dude wants to start a cookie company, he just might become successful by giving away his cookies for a month straight, and, assuming his cookies are fantastic, he might gather a long line of customers who seek to eat another one of those fantastic cookies - and pay for it - after that time.

With artists, songwriters, record labels, and anybody else who relies on *recordings* for their income, you can't, ultimately, just give them away for free. Why? Because once someone "tastes" (IE: downloads) your sound recording, the person never has to come back to you to get that same flavor - he already has it in his iTunes library. You've just given away your number one commodity, and users can re-create that listening experience without you now.

I haven't decided exactly what this epiphany means for me, my music, and the music Swiftly Running Records represents, but you bet I'm thinking about it - alot.

If you think you've got a few good ideas to explain what I'm talking about, or if you've got other ideas about how to make sound recordings work for artists, please let me know. Or maybe I'm way off base...

Anti-Social-Media Trends

“@jaymathesmusic: Is it possible? I think it is: the successful, anti-social-media band. Only time will tell. Consider this a prediction.”

So, I know this is probably going to come as a complete surprise to many of you... I have a very strong feeling about this, though, and because I have been accused at times of saying "I knew that was going to happen" well after the fact, I'll say it here, right now.

A day is coming when the cool thing is nowhere found online. It only exists in a secret, old-fashioned, *actual* word-of-mouth world. I predict that one day in the not-so-distant future bands will "emerge" and become popular, not as a result of social networking websites, but as a result of anti-media. Does any band or artist dare to test the waters? I don't think so. Not yet. But the one who figures out how to do this first will be the one who benefits the most (or at least gets the credit for implementing this "cutting edge" "marketing" strategy.

So how far in the future do I see this happening? We're probably a ways off yet. I'd say you won't hear about the first, best-kept-secret, off-media band/artist until 2024.

Music Licensing Opportunities

Over the last few weeks, I've been exploring new ways to generate some cash from the music that I write and record. The good news? There are a lot of ways to generate the money, as I have found. The bad news? It seems like every other artist has discovered the same thing that I have. I've found a bunch of websites that claim to "specialize" in what is called song placement or music licensing - places called "pitching houses" (basically just a new name for a music publisher). The problem is that I'm having trouble navigating this over-crowded sea of music speculators.

For lack of a better comparison - actually, no, I think it's a perfect comparison - the digital music licensing world looks *exactly* like the California gold rush days: everybody is vying for the same territory, the "mining" technology (a content delivery system) is readily available to almost all artists, and the value of the commodity (good, quality music) is fluctuating based on its availability.

So what does this mean for my music and the music that Swiftly Running Records represents? It means that now, more than ever before, I have to rely on personal contacts to exploit song placement opportunities. And the best way to continue to establish those relationships is to be where those decision-makers are - to live where the music supervisors live, eat where they eat, attend the events they attend, invite them over for dinner, take them out for coffee. I know a heck of a lot of them live in L.A., a few in Nashville (I think), and maybe some in NYC(?). But I'm not so sure I'm willing to relocate just so that I can pitch my songs. (Maybe I can get somebody else to do it[?].)

I want to play. I want to perform the music I write. I want to be on stage. I'm just looking for a way to make enough money to keep doing what I love.

Top 25 Albums of All Time - #5

Death Cab for Cutie: Plans

For starters, they used amazing equipment to record it. A friend of mine, Collin Jordan, a mastering engineer in Chicago, said that the vocal mic Ben Gibbard used on this record was probably worth over $10k.  Nice.

Second, Death Cab has pioneered the pop-electronic fusion that is so common in music today.

Yes, I will follow you into the dark...

View my whole list here: http://jaymathes.blogspot.com/search/label/top%2025

Top 25 Albums of All Time - #4

Coldplay's X and Y. Will anyone actually argue against this album being on my list? Highly doubtful.

View my whole list here: http://jaymathes.blogspot.com/search/label/top%2025

Top 25 Albums of All Time - #3

As you know, I have gotten myself in to a little pickle. I have started a top 25 albums of all time list. The problem is that, over the years, a heck of a lot of music has been recorded and compiled as albums. Just as a bit of a reminder, and maybe even a clarification, I have a few ground rules for this list. The more music I have listened to in my quest to compile this list, the more I have seen a need to be very specific about what this list is. Here are a few guidelines I am following:

1. Pop/Rock genre only. There's way too much music out there, and way too much music that I can humbly say I know absolutely nothing about.
2. Every song on the record has to be great. Every song has to be able to stand on its own, distinctly stand as a part of the whole and compliment it. For my purposes, even a single, bad song on an album will disqualify an album from the list.
3. Popularity is not a pre-requisite. I am not using anyone else's list to make mine. I am trying very hard not to let Rolling Stone magazine tell me what to include.
4. I won't include an album without very recently listening to it all the way through. And when I say listen, I mean that the music has my full attention.
5. Your suggestions are warmly invited! I know I haven't heard everything out there in the pop/rock genre - especially when it comes to classic rock, oldies, or 80's pop. Some historical background: the album "format" didn't really become popular until the mid- to late-1950's, so just as a simple, point of fact, I probably won't have to go back any further than that.

With all of this now said - and said again, in some cases - I'd like to announce album #3 in my list: Acceptance's album Phantoms. I might take some serious criticism for this one. The album is from 2005 - right around the time when all alternative rock music started to sound the same: over-compressed, perfect vocals, unbelievably punchy drums, et al. But, at the end of the day, in my opinion, this might just be the best album you've never heard of.

View my whole list here: http://jaymathes.blogspot.com/search/label/top%2025

New York City Here We Come

If you think I've been MIA for the last three weeks, you'd be right. So where have I been and what have I been doing? Simple. I've been spending most of my time recording at the Dragon Room (the name I gave to where I do most of my producing). The result? Eight new songs for a new record with a little side-project that I have called Restoration Project. I haven't tallied up all of the hours I've spent on it in the last three weeks because, frankly, it doesn't really matter. I knew from the start that I'd spend as much time on it as it would take. The album comes out April 10th, and you all should come to the release party. Get the details HERE. So there you have it. It's time for a vacation. I leave for NYC with my wife and son tomorrow morning.

A Human Struggle for Recognition

This morning, I had a little bit of time to think about why people blog. It was on my mind because I actually took some time today to read the blogs of a couple of good friends of mine. We don't read our friends' blogs (usually) because we already know what's going on in their lives, how they feel about things, and how they're continuing down this strange path of existence we call life.

The bottom line? We all struggle with a lot of different things, but there are common ones, too. Though there are obviously many reasons, I think blogging is motivated primarily by a desire to be recognized as a person, separate from everyone else. It's a desire to find meaning behind why we're alive; because if we're all pretty much the same, we all live, we all die, we're simply a part of the lineage of the human race, then what's really the point?

Humans don't just want to exist. They want to matter.

I don't think that I blog because I'm searching for answers so much myself, but that I kind of hope that I can help other people cope with that struggle - that desire - and can move them in the direction of discovery for themselves...

My new album, Fundamental, really is the closest I've come so far to expressing this and other struggles common to the human experience in my music. If you haven't yet, you should check it out, here:

http://jaymathes.com/music/fundamental

To some of you, I know I still owe you copies of the album. I'll try to make that happen this week. Sorry for the delay!

Picture: http://commons.wikimedia.org/wiki/File:V-J_Day_Times_Square_NYWTS.jpg

First Video from Record Release Show Now on YouTube!

Just this evening, I posted the first video from my record release concert last month. Yeah, this video stuff takes a long time to edit. The first song of the first set was "Broken Well". Take a look (and listen) on my YouTube channel: http://youtube.com/jaymathesmusic. And here's a direct link to the video page: http://www.youtube.com/watch?v=BFAJMaCtny0.

Also, my buddy, Nick, who shot all of the video in the studio for the documentary about the making of Fundamental posted some of the raw video on his channel. Here's a link to the raw video (and audio) of the studio recording of "Broken Well": http://www.youtube.com/watch?v=xLafZL7e5SM

Cheers! (and enjoy)

-Jay

Mosquito Fleet / Milano Concert Review

This past Friday night, some friends of mine, Mosquito Fleet, performed at the local coffee shop, La Spiaza. While I don't exactly like the "venue" or their coffee. Or the owner. Or how they treat the artists who perform there. I do like the atmosphere when there's great, live music being played. Opening for Mosquito Fleet was a band called Milano - some very talented chaps from Chicago, whose lead singer, Joe Guerra, is artist-in-residence at The Line Church in Lincoln Park. Pretty cool gig, if you ask me...

So about the concert...

In a word: impressive.

I only caught a few tunes from Milano, but what I heard was polished, refreshing, a combination of alternative, folk-rock, and a hint of traditional country.

Mosquito Fleet? I love these guys. They bring it every time they perform, and this concert, the record release show for their new EP, was no exception. Without the luxury of having stage monitors, the band did more than just keep it together. Standing at the front, right up against the band - within inches of Josh, the bassist, and feet of everyone else, I had a chance to look back in to the audience and take pictures of the scene in my mind:

Laughter. Heads moving. The floor bowed down with each kick drum hit from feet jumping ever-so-slightly to the beat. Bass emanating from the house speakers gave me blurred vision. And several faces with glazed-over eyes, lips pursed and turned up with joy as ears take it all in: lyrics. music. life.

Even with flawed lead vocals on a number of songs - no doubt caused, in part, by the lack of monitors - Mosquito Fleet still got their point across: they love performing the music they write for the people who love it and they don't ever want to stop.